What does it mean to write "This is not a pipe" across a bluntly literal painting of a pipe? René Magritte's famous canvas provides the starting point for a delightful homage by French philosopher and historian Michel Foucault. Much better known for his incisive and mordant explorations of power and social exclusion, Foucault here assumes a more playful stance. By exploring the...(展开全部)

WINNER OF THE 2013 CALDECOTT MEDAL! From the creator of the #1 New York Times best-selling and award-winning I Want My Hat Back comes a second wry tale. When a tiny fish shoots into view wearing a round blue topper (which happens to fit him perfectly), trouble could be following close behind. So it’s a good thing that enormous fish won’t wake up. And even if he does, i...(展开全部)

When a tiny fish shoots into view wearing a round blue topper (which happens to fit him perfectly), trouble could be following close behind. So it's a good thing that enormous fish won't wake up. And even if he does, it's not like he'll ever know what happened... Visual humor swims to the fore as the best-selling Jon Klassen follows his breakout debut with another deadpan-funny...(展开全部)

In This Sex Which Is Not One, Luce Irigaray elaborates on some of the major themes of Speculum of the Other Woman, her landmark work on the status of woman in Western philosophical discourse and in psychoanalytic theory. In eleven acute and widely ranging essays, Irigaray reconsiders the question of female sexuality in a variety of contexts that are relevant to current discussi...(展开全部)

In contemporary culture, there is no stronger imperative than to be authentic. But what does authenticity actually mean? Everywhere we turn, we are urged to “live our truth”: an element of Western culture that is almost never questioned. Authenticity in all its contexts is becoming more significant than ever as digital culture breeds fakery and capitalism offers the illusion of...(展开全部)

In contemporary culture, there is no stronger imperative than to be authentic. But what does authenticity actually mean? Everywhere we turn, we are urged to “live our truth”: an element of Western culture that is almost never questioned. Authenticity in all its contexts is becoming more significant than ever as digital culture breeds fakery and capitalism offers the illusion of...(展开全部)

安娜贝尔·霍华德于牛津大学基督堂学院获得艺术史学士学位，于东英吉利大学获得传记写作硕士学位。她在英国和意大利的数座博物馆授课并演讲过，并在包括《玻璃》（Glass ）、《家居世界》（World of Interiors）和《白色评论》（The White Review）在内的数本杂志上发表过文章。 亚当·辛普森的作品曾在伦敦、纽约、爱丁堡、博洛尼亚和日本的大型展览中展出。他的作品曾提名《世界时装之苑·家居廊》（Elle Decoration）杂志蕞佳英国设计奖，他也曾在2009 年获得纽约艺术指导俱乐部先锋奖。他还曾为英国电影和电视艺术学院（BAFTA）和考伦（Conran）设计事务所创作作品，并设计了一枚伦敦奥运会的纪念邮票。 🔸译者简介 刘慧宁，译者，编辑，南京大学英语系硕士，译有《英雄与恶徒》《影子之舞》《中世纪之美》《新艺术运动》《德勒兹论音...(展开全部)

[英]约瑞拉·安德鲁斯（Jorella Andrews）是伦敦大学戈德史密斯学院视觉文化系的高级教师，著有《这就是塞尚》和《炫耀！图像的哲学》等著作。安德鲁斯起初学习美术，后来又接受了艺术理论的专业教育。他的主要研究兴趣是哲学、知觉和艺术实践的相互关系。 [英]尼克·希金斯（Nick Higgins）是生活在伦敦的插画师，主要为出版社和广告业服务，他为《纽约时报》、《纽约客》、皇家莎士比亚公司和BBC 国际频道都画过插画。

[英] 基蒂·豪泽（Kitty Hauser），著有《斯坦利·斯宾塞》（Stanley Spencer）、《阴影位置：1927-1955年的摄影、考古与英国风景》（Shadow Sites: Photography, Archaeology and the British Landscape 1927–1955）和《老大不列颠》（Bloody Old Britain）等书，曾为《伯林顿杂志》（Burlington Magazine）、《新左派评论》杂志（New Left Review）和《伦敦书评》（London Review of Books）撰写文章。完成在剑桥大学的研究后，她在牛津大学拉斯金绘画和美术学院、伦敦艺术大学伦敦时装学院进行教学。基蒂·豪泽现居悉尼，为《澳洲人报》（The Australian）定期撰写专栏。 [英] 克里斯蒂娜·克里...(展开全部)